Sunday 30 December 2012

Christmas

Christmas 1914

On Christmas Day 1914, the Western Front felt like a very different place. For a few hours, the guns fell silent and on the most part, an atmosphere of unification prevailed. Men from both sides sang carols and shouted 'Merry Christmas!' over the parapets. Some emerged tentatively up into No Man's Land and met in the middle to share schnapps, cigars and even a game of Football. Some men worked together to bury their comrades. In some parts of the Front, the truce lasted until New Year's Day but it many, it ceased on Christmas night.

http://www.todayifoundout.com/wp-content/uploads/2012/12/Christmas-truce.jpg
Soldiers from both sides taking a picture together during the Christmas Truce.



The Christmas Truce A Poem By Carol Ann Duffy

Christmas Eve in the trenches of France, the guns were quiet.
The dead lay still in No Man's Land –
Freddie, Franz, Friedrich, Frank . . .
The moon, like a medal, hung in the clear, cold sky.

Silver frost on barbed wire, strange tinsel, sparkled and winked.
A boy from Stroud stared at a star
to meet his mother's eyesight there.
An owl swooped on a rat on the glove of a corpse.

In a copse of trees behind the lines, a lone bird sang.
A soldier-poet noted it down – a robin holding his winter ground
then silence spread and touched each man like a hand.

Somebody kissed the gold of his ring;
a few lit pipes;
most, in their greatcoats, huddled,
waiting for sleep.
The liquid mud had hardened at last in the freeze.

But it was Christmas Eve; believe; belief thrilled the night air,
where glittering rime on unburied sons
treasured their stiff hair.
The sharp, clean, midwinter smell held memory.

On watch, a rifleman scoured the terrain –
no sign of life,
no shadows, shots from snipers, nowt to note or report.
The frozen, foreign fields were acres of pain.

Then flickering flames from the other side danced in his eyes,
as Christmas Trees in their dozens shone, candlelit on the parapets,
and they started to sing, all down the German lines.

Men who would drown in mud, be gassed, or shot, or vaporised
by falling shells, or live to tell, heard for the first time then –
Stille Nacht. Heilige Nacht. Alles schläft, einsam wacht …

Cariad, the song was a sudden bridge from man to man;
a gift to the heart from home,
or childhood, some place shared …
When it was done, the British soldiers cheered.

A Scotsman started to bawl The First Noel
and all joined in,
till the Germans stood, seeing
across the divide,
the sprawled, mute shapes of those who had died.

All night, along the Western Front, they sang, the enemies –
carols, hymns, folk songs, anthems, in German, English, French;
each battalion choired in its grim trench.

So Christmas dawned, wrapped in mist, to open itself
and offer the day like a gift
for Harry, Hugo, Hermann, Henry, Heinz …
with whistles, waves, cheers, shouts, laughs.

Frohe Weinachten, Tommy! Merry Christmas, Fritz!
A young Berliner, brandishing schnapps,
was the first from his ditch to climb.
A Shropshire lad ran at him like a rhyme.

Then it was up and over, every man, to shake the hand
of a foe as a friend,
or slap his back like a brother would;
exchanging gifts of biscuits, tea, Maconochie's stew,

Tickler's jam … for cognac, sausages, cigars,
beer, sauerkraut;
or chase six hares, who jumped
from a cabbage-patch, or find a ball
and make of a battleground a football pitch.

I showed him a picture of my wife. Ich zeigte ihm
ein Foto meiner Frau.
Sie sei schön, sagte er.
He thought her beautiful, he said.

They buried the dead then, hacked spades into hard earth
again and again, till a score of men
were at rest, identified, blessed.
Der Herr ist mein Hirt … my shepherd, I shall not want.

And all that marvellous, festive day and night, they came and went,
the officers, the rank and file, their fallen comrades side by side
beneath the makeshift crosses of midwinter graves …

… beneath the shivering, shy stars
and the pinned moon
and the yawn of History;
the high, bright bullets
which each man later only aimed at the sky.


photo.JPG


Monday 24 December 2012

Rehearsal Week 1


Phewww....where do I start?! As we say farewell to the first week of rehearsals (and to each other for Christmas...) we reflect upon what we have learnt thus far...

Alastair Whatley cheats at everything!
Poppy Roe will be the first female Bond.
Emily Stride (Stryder) is by far the best recruit.
Tony knows everything about everything.
I now know the base of a rifle is called a Butt Plate.
Tim V E can build boats.
Charlie G has a photographic memory.
Sarah is an eyebrow expert.
Jon listens to the Prodigy(?!)
Liam is Twitter King (this week...hahaha)
Josh plays Mendelssohn beautifully.
Malcolm will steal your pencil given any opportunity.
Arthur is blooming brilliant at Bench Ball.
Rachel has the best Christmas Jumpers.
Lucie is about as flexible as you can get.
Tim T will inevitably get frowned upon when playing 9 Square.
Lauren buys the best croissants.
Charlotte loves Sesame Street.
Our accent coach Tim is pretty damn amazing at accents.
Tim K provides the best rehearsal spaces!

Just to clarify...
Bench Ball - Netball without nets.
9 Square - Picture a giant su doku grid. 1 player per square, each player has to guard their square. It can only bounce once in each square and you have to hit it upwards Tim T!!

With a week jam packed with Introductory Speeches, Set Presentations, History lessons (and tests...!) Vocal Sessions, Fighting Workshops and Script Work, it seems best to show you...






Sunday 16 December 2012

Final thoughts...

As the final week before the start of rehearsals draws to a close, the cocktail of nerves and excitement is as prominent as ever...


When one hears the euphoric news that "you've got the part, the job is yours!" there is often a 'cloud 9' period when one basks in the pure joy of knowing that there is work lined up. For me in the case of 'Birdsong' it was not only this, but that I was going to be working on a piece I love. This period of time lasted a while as I auditioned back in July and, as I'm sure any actor would agree, knowing about a job (that you are so thrilled about) this far in advance, can only be a great thing!



As time goes on and rehearsals approach, euphoria slowly morphs into nervous excitement. Have I read the play enough times? Have I done enough research? What will we be asked to do in the first rehearsal? Whilst it is of course different for every actor, I'm sure that we have all experienced this roller-coaster of emotions in some form.



As my final day pre-Birdsong plays out, I leave you with a section of a poem written by St Vincent Morris in 1915 having just reached the age permitted to enlist.

'The Eleventh Hour'

Nay, this is not to love, nor this to live!
I will go forth; I hold no more aloof;
And I will give all that I have to give,
And leave the refuge of my father's roof.
Then, if I live, no man shall say, think I,
'He lives, because he did not dare to die!'




Monday 10 December 2012

Our week in preparation!



On route...
Preparations have been in full swing this week as we count down to the official start of rehearsals! There have been research trips, museum visits and pre-rehearsal workshops where the cast have made the very most of the chance to...bond. We have not yet all been in the room at the same time so are very much looking forward to the official meet and greet on the 17th.

My week started with a trip to the Imperial War Museum with the lovely Emily Stride, who will be playing Marguerite. We got there just in time as the museum is closing in January for its major redevelopment project. One of the additions will be the First World War Galleries, opening in the Summer of 2014 to mark the 100-year anniversary of the start of the Great War.



There is a section of the museum called ‘Explore History’ which houses the most incredible collection of historical papers including personal diaries, letters and poems. (As I learnt, the best thing to do is research on the website exactly what you’d like to look at and book an appt!) We requested to look at two collections of personal papers. One belonged to a Private and one to a Sapper, both of whom had served on the Somme for most of 1916. Firstly, we looked at a series of letters that the Private had written home from the Front. What struck me was his practicality. Considering the atrocities he must have witnessed on a daily basis, the letters seemed significantly detached. He listed items he needed sending out to him in neat bullet point form, including a mug as it could be “used for many different things.” He would often write one line letters saying, “I have received your letters. Yours sincerely” or “I am quite well. Yours sincerely” It didn’t come across as curt, just distant. I got the sense that he wanted to keep his life at the front separate from that at home, perhaps so as not to infect the latter with the former. He later exclaims, “Gee Whiz!” when describing his first bath in a month! But there is little mention of what he was really experiencing.

We moved on to the papers belonging to the Sapper and the most astonishing moment of the day was holding his diary. It was a humbling experience handling an object that had been to the Front and been a part of that world. After carefully opening it, we found descriptions of food, trench conditions and tunnelling operations. But it wasn’t until the July 1st entry that we got any sense of reality. “Getting in wounded all night, awful. As near to hell as I ever want to get. Couldn’t possibly have imagined it.”

We were not the only ones researching this week. Sarah Jayne Dunn, who is playing Isabelle and Jonathan Smith, who is playing Stephen, went to Amiens and to the Somme with our director, Alastair Whatley. After a tricky start with the breakdown...they finally reached France!

Sarah, Peter (fabulous recovery man), Jonathan and Alastair...







After exploring Amiens, they visited the house Sebastian Faulks based the Azaire’s house on!

 








They then visited the Thiepval Memorial.




Inscribed on the memorial are the names of over 70,000 men who fell on the Somme and whose bodies were never found. The word they used to describe the atmosphere there was quiet.

On Wednesday, most of the cast assembled for a pre-rehearsal movement/voice workshop where we were able to share what we’d just discovered. It was a great way of breaking the ice as we all had so much to talk about! At lunchtime, having realised that there was in fact an entire high street full of delicious eateries (not just Lidls, Sarah and Jon) we ventured out! Charlie found cake, so was very happy. (It's all good, I've changed it to black and white so no-one will know it was pink...) and Poppy, Emily, Josh and I beamed at the sight of Greggs and Subway :-)

Thanks to the genius of Alastair, Tim and Lucie (Director/Vocal
Coach/Movement Director) we ended the day feeling very much like a unit. And had all used muscles we didn’t realise we had! So were thoroughly ready for bed. X

  
The collections mentioned are held at the Imperial War Museum
Private papers of C R Jones – Cat No. Documents 13273
Private Papers of Captain W H Sansom OBE MC – Cat No. Documents 8079

Sunday 2 December 2012

Welcome!



Hello and welcome to Inside Polly Hughes' Birdsong the Tour! I am Polly Hughes and I am going to be playing the part of Lisette Azaire. With only a week to go until rehearsals, research is getting serious...

                      
 

  
As many of you know Birdsong is a story of love, courage and sacrifice set against the devastation of the First World War. In order to prepare for this I have read books, watched documentaries and listened to the all too familiar music hall songs that evoke such a vast array of emotions, but fear I have merely touched the tip of the iceberg. In this blog I will attempt to bring to you the experience of touring with this epic production and share all that I learn along the way!
Next week I am going to the Imperial War Museum so will be able to share my experience of seeing and reading actual letters that were sent from the Western Front! Until then x